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Discs Records in London with an outrageous idea: But that wasand the War Child story really started in Sarajevo — the multi-ethnic cultural heart of former Yugosalvia — inwhen the Bosnian Serbs, with backing from Serbia and Belgrade, began the Down to fuck in mostar of Sarajevo. When the founders of War Child arrived in this most cosmopolitan of cities, they beheld the most remarkable cultural landscape in post Europe — strangely, and unforgivably, now airbrushed from history. The Serbs attacked and persecuted a city with an entrenched cultural life that struggled on, come what may, throughout the war. I remember on my 39th birthday inafter the massacre by shelling of civilians queuing for water in a Down to fuck in mostar called Dobrinje, going to a lunchtime concert by the Sarajevo String Quartet in the blacked-out National theatre.

The Serbs would usually attack such events, and one mortar landed so close to the theatre that the building shook and the viola player's stand fell over during an especially delicate moment of Haydn's String Quartet in D Major Op. The first violinist, Dzevad Sabanagic, waited for his colleague to replace the score, called out the number of a bar prior to the interruption, and the quartet played on. Sontag wrote of Meet women to fuck totally free bold event: People in Sarajevo live harrowing lives; this was a harrowing Godot.

My idols created their greatest work under siege — Orwell in Spain, Anna Akhmatova during the siege of Leningrad — this was my cultural inspiration, but I never expected to be in that situation myself. We realised that art, theatre and music in Sarajevo were resistance at the deepest level. We established the now famous film festival during the siege, and people asked me: What is not normal is to be killing the people who want to see the films and productions! When Erotic young cheerleaders began, my previous world collapsed.

I needed new aesthetics within this new situation. Debris, shrapnel and exploded grenades were my new art material. The brutal everyday struggle of avoiding death became a new inspiration. For the first time in my life I was making something honest and straight. The madness of daily life was intense," he says. The hunt for food and water was a brave and insane activity, but so many things were amplified and the best parties of my life happened during the siege. Every party happened in darkness, with bad homemade booze, lots of laughing and love. Every one was maybe the last. We didn't have anything to lose. Basements and shelters were turned into rehearsal studios, more and more young people played music, sometimes just to make noise so the sounds of explosions wouldn't be so loud.

So it made sense for the veterans of the 60s Yugoslav radical movement to establish a wartime radio station to broadcast rock music and discussion as a form of resistance in Sarajevo after Radio Sarajevo Zid "Radio Sarajevo Wall" was at the core of this subversion, founded by Zdravko Grebo, who also wrote its manifesto, the most articulate statement of resistance to the genocide far more so than any political speech, for sure. The political attitude will be the attitude of common sense, of social sagacity based on the European idea of rationalism and urban mentality. Last but not least, that spirit is trying to preserve a sense of humour.

The point was to get on air, but resist broadcasting militaristic songs. We thought the situation called for Pink Floyd, Hendrix and good country music, rather than militaristic marches. These were not "career" aid workers with bureaucracy and armoured vehicles behind them, but ad hoc trade union groups and concerned citizens on something called The Serious Road Trip, the first independent aid organisation into the city. The Road Trip, set up inlaid the foundations for War Child, arriving in besieged Sarajevo in trucks painted with bright colours and cartoon characters to tease the snipers.

They were joined by Simon Glinn, a music producer who ran the Jazz World stage at Glastonbury, not so much to deliver aid as work with the Sarajevan underground scene to organise rock concerts and events under a banner calling itself the Sarajevo Community Music Project, and even a festival with Radio Zid called Rock Under Siege. If one was to paste a philosophy on to that madness, which was brave and lucky, I'd say just that this was about solidarity, multiculturalism and, well, the fundamental principles of good rock'n'roll. The Dickinson concert, Rock Under Siege and other such events were achieved in large part by a young Sarajevan called Bekim Medunjanin, who helped procure the equipment and whose reasons for action were starkly simple, as he now explains: I ate little, and weighed only 45 kilos.

But I wasn't hungry for food. I was hungrier for something to counter the shelling, the sniper fire, news every day that this or that friend was dead, wounded or in a concentration camp. I was hungry for music, artistic events, rock'n'roll, things that would keep me alive, and keep me going. We met last week at a pub called the Constitution on the canal at Camden in London, just a block away from the Serious Road Trip offices, which would also, later, become the HQ for the charity they would found inWar Child.

I used to come back and try to talk about concentration camps and mass rape and women and kids getting shelled an hour away by plane, and no one gave a monkey's. It drove me nuts. But while there in Sarajevo, among the first things I noticed was that whenever the electricity came on, you heard music, everywhere. Of course, it's obvious," says Leeson — a strange observation in a place where people were being ripped apart by shrapnel, but in the unique atmosphere of Sarajevo init was obvious. Surreally, a kind of base camp was established in the town that also hosts the Catholic shrine of Medjugorje.

From here, a retired military man, a saintly figure suffering from cancer called Jerry Hume, working for the United Nations High Commissioner for Refugees UNHCRran a lifeline of basic supplies plus the less essential, occasional journalist into the inferno of shellfire. And there in Medjugorje, inWar Child began its operation as a bakery for the hundreds of thousands of refugees, including many Croats, then moved it into ravaged east Mostar on the day of the ceasefire. Leeson remembers a day when, "the doctors asked if I could shine the light of my video camera so they could amputate some kid's leg without anaesthetic.

I thought to myself: Am I going insane, or has the world gone insane? We had been in hell for years, and deepest hell for nine months, but were now baking 4, to 5, loaves a day.

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fucck It was also a chance to talk to people about music, sex, football and stuff, not just war and mosgar. Down to fuck in mostar back to the front. He never slept, but even so, in a way, the bakery saved him. It saved our stomachs, of course, but it saved Ermin in another way too. We're also distributing medicine. Why, music of course! Against third-rate politics, in Bosnia and across Europe, Down to fuck in mostar pitched first-rate music. If the local fascist politicians were going to have their speaker mosyar in the John Major government and at the UN, L do not hook up lyrics we were going to have our speaker system too.

The Serious Road Trip helped to launch the Sarajevo jazz festival, now one of Europe's foremost, and set up a network of music centres and workshops across the country: Glinn remembers, "physically taking Bruce Dickinson's analogue studio out of his house in Chiswick, which he had donated, and taking it to Travnik a central Bosnian town, and crossroads of the warwhere it is now used every day by the biggest youth music project in Bosnia", called Alter Art. Most famously, though, there was Help, the most successful, quickly assembled charity album of all time, made in a week.

After the ceasefire, Jasmin Elezovic remembers: I loved it, and the bakery, where I made a heart-shaped loaf for my mum. Elezovic is nowadays one of the driving forces of his generation, trying to work across the divide for a future Bosnia. Like biking, the beach-or any body of water, walking around old town, eating out, visit a park, music looking to make out with a Cornwall girl, concerts etc. I'm definitely up for new different things too. I'm a tradesman and hands on type of guy. I like to stay busy. Couch time is cool too. I need a companion that's and fit too, please. I'm not trying to change anyone's life, if they don't want it.

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